In the near future, following death, a human’s life essence is available to loved ones for a short period. In solitude, they communicate with the departed - not always a win/win for both parties.
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Most of the time, when I shoot or edit something that I haven’t produced myself, the project is released into the world, and I often don’t know where it goes or how well it is received. ‘Sensory Overload’ was one of those projects.
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The array of gadgets I typically haul with me on a shoot to address those 'what ifs' and 'just in case' scenarios is quite substantial. Here are five gems I've stumbled upon on Amazon that I believe every filmmaker should include in their arsenal—trust me, they've become staples in mine!
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Whenever these kinds of announcements happen, it always takes me back to editing jobs that make me think, “If only I had this tool, it would have solved the issues I was having at the time.” But of course, that's how technology works. We keep working, and they keep innovating. I edit with Premiere Pro and DaVinci Resolve. The choice of editing system depends on a few factors. If I know the edited job will go to a colorist…
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I know! I know! The Arri Alexa Mini LF is already compact on its own! Indeed, it's quite small when it's just the body. But once you've added the cage, viewfinder, follow focus, wireless transmitter…
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Troubled researcher discovers the source of her anxiety and finds herself in the home of her childhood bully.
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Welcome to The Right Space, a podcast and visual web series exploring the relationship between creatives and their workspace. We talk to writers, comedians, photographers, artists, producers, sculptors, etc — basically people who create for a living — about the spaces in which they create and how it informs their work. What stories can those spaces tell us about the artist? It's property porn meets the artist interview. This is The Right Space!
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